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And that’s without having to learn any of the special puppet rigging functions.
I activate the mesh and can pull the linework around without having to redraw anything. If I want a subtle bit of easing, I can split the frame and lasso the section I want to move. It’s great to have that alternative since raster brushes usually afford a little more flexibility and softness than vector brushes do. You can draw with raster-based tools and it has a fairly deep brush engine that allows for greater customization. It’s also designed with traditional animation in mind more closely than other animation software. I customize the heck out of my keybindings to match my work style.
#PENCIL ANIMATION KEYBINDINGS HOW TO#
It’s mostly a matter of figuring out how to do your usual shortcuts. If you have experience in other animation software, the Toon Boom learning curve isn’t too steep. It’s a lot easier to learn than it first looks.
#PENCIL ANIMATION KEYBINDINGS SOFTWARE#
I even reached out to my friend Ole Løken (who worked on Klaus) to find out what the general rule of thumb was during their production and see what could be applied to Rocky’s performance.Īs a director with experience using Toon Boom Harmony, are there any features in the software that more animation artists should be aware of? I had to step back several times while developing that shot and remove poses, remove frames, fuss with how little or much his head bobbed or body squashed and stretched. That said, it’s so easy to slip into overacting with a character as broad as Rocky and vocal performance as wild as Michael Kovach’s. His acting pulls more heavily from the likes of The Tramp than any house cat. He’s very loud, very boisterous, and kind of clumsy. Moving like an actual cat wouldn’t suit Rocky. He may be feline, but he’s really quite human, so he moves very human, with his tail usually confined to enforcing the line of action or adding a little weight to a gesture or emotion. So while the character could go very toony - and indeed Rocky is very dramatic in that test shot - overall his wackier actions go over better the more constrained the rest of his performance is. It’s a character study which looks down the dark path of nostalgic fixation and questions where it may lead us. Can you walk us through your process and how you approached animating Rocky?ĭespite Rocky’s wacky feline appearance, the story is extremely grounded. Tracy Butler recently shared some of your rough test animation for the short film. By fall, we were already exploring proving the project’s worth via a short film funded via Kickstarter.
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The pitch received some great feedback, but there was a lot of reluctance to invest in an animated series that didn’t fit the usual sitcom mold and was adult in nature - owing to the violence, alcohol, and depictions of smoking. The 1920s historical backdrop is also pretty dear to the history nerd nestled in my heart. I’m also a bit of a sucker for criminal mystery stories. Each character’s personality stands out on its own, but how these mad cats bounce off one another is where most the drama and comedy can be found. I love the unique aesthetic and the dry humor of the original comic. We’d followed each other’s work for years, so Tracy trusted me to bring Lackadaisy into the animated medium. What drew you to co-direct and animate on Lackadaisy and how long have you been on this project?Ībout a whole year by now! Tracy contacted me in spring of 2019, curious about whether I’d be willing to develop a pitch for Lackadaisy as a television series. We thought this preview animation was the cat’s meow, and invited Fable to an interview, which you can read below. (The campaign is running until this Friday, April 17.)įable shared early test footage for the upcoming short, which was made using Toon Boom Harmony. Backer rewards include the first two volumes of the comic as well as Lackadaisy Essentials published by Iron Circus Comics, which contains never-before-published mini-comics, one-offs and sketches. The project is currently crowdfunding an animated short on Kickstarter, with over $250,000 raised at the time of writing.
Fable’s industry credits include work with the likes of Titmouse, Starburns and Hazbin Hotel. Louis inhabited entirely by cats!Īfter fourteen years of publishing her comic online, Tracy Butler teamed up with Fable Siegel to develop an animated adaptation of Lackadaisy. Also, the plot takes place in an alternate version of Prohibition-era St. This Eisner-nominated series follows the rise and fall of the Lackadaisy speakeasy, as Mitzi May seeks help from unconventional places to keep the dying speakeasy open. Lackadaisy is a long-running webcomic written and drawn by Tracy Butler.
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